This is a series of haiku written for someone I love dearly. It tells her story and what happened to her in the darkest hours of her life. With love, my friend.
This is a very beautiful poem.. I feeling I got from it was the need for salvation and some peace of mind; to just be free of all and whatever this person is feeling, even for a little while (especially when I read "Will she drink wine?") .. as an empathetic person, I can really feel this grip of uneasiness that this person is feeling .. it's horrible and unbearable especially because this person seems to be very fragile.
As a poet my self, I find your style of writing this poem a bit different and I really like that, compiling Haiku together to create a whole poem is a great idea, and what is even greater is that you can take each stanza alone as it is, it is not necessarily connected to the one before it, nor does it complete it in a way.. but as a whole they all complete and compliment one another to give us this beautiful poem.
The fact that your empathy connected with the character created in this set of writings is humbling to say the least to me. I am very, very honored. Yes, she is fragile. She is actually like glass which is crafted of sugar.
Very appreciated. I do try to think outside the lines while still respecting the art of poetry (both western and eastern). I am happy they have a diversity about them.
This was a wonderful comment, I thank you - Tristan Cody.
You really get across the hardship and pain of the Subject (the person about whom the Speaker is writing). I get the feeling the Speaker (sometimes the poet or sometimes another voice written by the poet) has a close connection to the Subject, and that the Subject is someone the Speaker greatly admires.
Originality: 4/5
The poem really picks up momentum and originality Stanza 2. The way you manipulate language really gives the piece a haunting yet realistic tone.
Technique: 4/5
The only issue I really have with the piece is Stanza One. It's the only stanza that doesn't show your talent with manipulating words. In this case the simplicity of the first stanza takes away from the poem. I'm almost tempted to suggest omitting it completely and starting from Stanza 2.
But I get the feeling that the stanza shows something key to the Subject's life, so I think I will attempt a rewording that matched the rest of your poem.
"Purple spots on her arms are blows of hate and demeaning words."
Impact: 5/5
If this were in a poetry magazine, I would mark the page as a poem I could relate to. A poem that speaks to me, even though I have not experienced what is happening in it. I want to know more about this person the poet wrote about, and I really want to help them - because they seem fragile despite all the strength that comes later on.
I would like to say that stanza one is intentionally like that. It actually has a symbolism deeper than just the flesh. I cannot tell you what because it needs to be found by the reader.
I can sort of tell what you're getting at. But, I'm saying, that as a poet, and reader, the first stanza sticks out in a way that seems to be negative toward the poem as a whole. For some reason I just can't connect with stanza one as an opening stanza.
I like that this one causes you pause to think, every line holding meaning deeper than originally thought. It reminds me a lot of the work of professionals. Great job.
Well actually this is a very pain piece if compared to other haiku writers like Tufu, Lyne, or even the sonnets of Shakespeare. It just must not be your style. I apologize for that
As a poet my self, I find your style of writing this poem a bit different and I really like that, compiling Haiku together to create a whole poem is a great idea, and what is even greater is that you can take each stanza alone as it is, it is not necessarily connected to the one before it, nor does it complete it in a way.. but as a whole they all complete and compliment one another to give us this beautiful poem.
Very appreciated. I do try to think outside the lines while still respecting the art of poetry (both western and eastern). I am happy they have a diversity about them.
This was a wonderful comment, I thank you -
Tristan Cody.
I will try to read more of your work, for you intrigue me.
You really get across the hardship and pain of the Subject (the person about whom the Speaker is writing). I get the feeling the Speaker (sometimes the poet or sometimes another voice written by the poet) has a close connection to the Subject, and that the Subject is someone the Speaker greatly admires.
Originality: 4/5
The poem really picks up momentum and originality Stanza 2. The way you manipulate language really gives the piece a haunting yet realistic tone.
Technique: 4/5
The only issue I really have with the piece is Stanza One. It's the only stanza that doesn't show your talent with manipulating words. In this case the simplicity of the first stanza takes away from the poem. I'm almost tempted to suggest omitting it completely and starting from Stanza 2.
But I get the feeling that the stanza shows something key to the Subject's life, so I think I will attempt a rewording that matched the rest of your poem.
"Purple spots on her
arms are blows of hate
and demeaning words."
Impact: 5/5
If this were in a poetry magazine, I would mark the page as a poem I could relate to. A poem that speaks to me, even though I have not experienced what is happening in it. I want to know more about this person the poet wrote about, and I really want to help them - because they seem fragile despite all the strength that comes later on.
I would like to say that stanza one is intentionally like that. It actually has a symbolism deeper than just the flesh. I cannot tell you what because it needs to be found by the reader.